Monday, July 21, 2008

The Great Global Warming Swindle Swindle

At eleven o’clock-ish this morning, the media regulator OFCOM will announce whether a 2007 documentary about global climate change broke the rules on accuracy and fairness. That result will almost certainly be in before I have completed writing this blog. On Saturday, while having quick scan of the papers, I noticed the Grauniad‘s front page lead broke this story. I was delighted, not least because my own father-in-law has cited this particular documentary as evidence that the popularly espoused view that there is a scientific consensus that global warming is man-made is wrong.

The Great Global Warming Swindle is a polemic by a chap called Martin Durkin. Durkin is... I was going to say well known. Unfortunately, that’s not the case, because if it were, people would almost certainly know to steer clear of anything bearing his name. He is, however, relatively known in certain circles. In the UK, he is perhaps best known for an earlier Channel 4 film critical of the environmental movement called Against Nature. The Independent Television Commission found the programme was guilty of misrepresenting and distorting the views of interviewees by selective editing. Now, to suggest merely because he has been guilty of it in the past that The Great Global Warming Swindle must be similarly terrible would be unreasonable, but perhaps we should be careful to examine it's claims more carefully, and listen when scientists say they're being misrepresented or that key data claims are inaccurate and disproved.

The latest broadcast has been a tremendous success globally, and is often cited by those who wish to convince themselves that there’s nothing happening. The trouble is, it’s just wrong. That global climate change is a man-made phenomenon is not a fiction. Wouldn’t it be lovely if it were? Who wouldn’t be thoroughly delighted to know we were off the hook and it wasn’t our faults? Woo hoo!

But it is true, and it is down to us.

The facts are actually uncontroversial and moreover, they’re really not that difficult to understand.

The chemical element carbon has three isotopes. Isotopes are simply versions of an element with differing numbers of neutrons, while the number of protons in the nucleus remains the same. Carbon has six protons, but may have either six, seven or eight neutrons. Adding the number of protons and neutrons gives the different names for the isotopes; respectively C12, C13 and C14.

C14 is radioactive and will decay to form a stable nitrogen isotope.

C12, C13 are stable elements, and luckily for us, each can be associated with different types of activity. C13 naturally occurs at a rate of about 1% of total carbon with C12 forming about 98.89% of carbon. Everyone knows that when plants respire they take in oxygen and release CO2. That’s C12.There are various natural phenomena that can record the amount of carbon of any given period. Using tree rings which capture carbon isotopes in their growing cycles, and cross checking with ice cores and corals and sponges, we can check to see what type of carbon are present in the atmosphere at any given point.


In fossil fuels, the ratio of C13:C12 is much lower and from 1850, the start of the industrial revolution, those lower ratios suddenly appear in the coral, sponge, tree and ice records. This also marks the point at which the levels of CO2 in the atmosphere significantly rise. Current levels of the C13:C12 ratio are the lowest they've ever been, directly correlating with our use of fossil fuels. The changes in the ratio of different isotopes of CO2 (C12 and C13 respectively) going from full glacial-to-interglacial change over a period of several thousand years is 0.03%. The changes in same isotopes in C02 levels as a direct consequence of antropogenic (man-made) C02 levels since 1850 is 0.15%.

We cannot affect natural CO2 production. CO2 is held both in the atmosphere, but also in the oceans, which act as a carbon sink. Without man, the atmosphere still could not support the levels of CO2 except for the fact that the oceans hold it. Imagine the oceans are at 9/10 capacity with just naturally occurring CO2. That is the starting position. Remember, we cannot affect natural CO2 production.

Now we want to add a load more C02 into the sink, the equivalent of 2/10. If we add too much, it will end up in the atmosphere where we know it will cause climate change.

That's the problem. It's not that the natural stuff doesn't contribute, it's that that we can't do anything about that but the stuff we can do something about is too much for the system.
We know that CO2 levels are significantly higher now than at any point in history. We know that our activities are directly responsible for that CO2 and we know that CO2 is responsible for global climate change. We are producing CO2 at a level that cannot be completely taken up by the carbon sinks of the oceans, resulting in an increased (and increasing) level of atmospheric CO2.

According to a 2008 MORI Poll, 60% of people agree with the statement, ‘many scientific experts still question if human beings are contributing to climate change’. This is worrying on a number of fronts.

Firstly, it’s worrying because it suggests people won’t change their minds and more importantly their behaviour. If we are to ride out the consequences of global warming, a massive adjustment is going to have to happen. Instead, you only have to read the comments in various online fora to see most people have reduced the arguments to a general distrust of scientists and government and demands for their ‘stolen taxes’ to be returned.

The reality is that at this time, the only credible explanation of what is happening, based on the interpretation of the vast quantities of testable data from multiple independent sources, is that mankind's activities are causing global warming.

That may change in the future as we learn more, but right here, right now, that conclusion is the only one that makes sense of the facts. Wishful thinking will do nothing to affect that. (This issue actually illustrates another problem, namely that science is often quite woolly in how it presents its results. This is technically quite correct because science is always the best explanation available to fit the evidence at a given time, but this appropriate level of caution about being to definitive can give the impression that there may be reasonable grounds for doubt. I don’t want to get into another of my pet bug bears here - that of the creationist’s arguments against ‘The Theory of Evolution’ - but there are a lot of people saying that we really ought to be more forceful and rename it ‘The Law of Evolution’ because there really isn’t any credible dissent. Maybe the same should happen with Global Warming, however unnatural that may feel?)

While I’m at it, we really need to stop referring to ‘Global Warming’; it’s a total misnomer and it just leads to people saying, ‘but it’s been colder/wetter this year, therefore it’s not true…’

..and the result is in.

It’s not as good as I had hoped, but it’s not all bad news either. According to OFCOM, Channel 4 ‘did not fulfil obligations to be impartial and to reflect a range of views on controversial issues’. However, it judged that the film did not mislead audiences ‘so as to cause harm or offence’. The logic is that as ‘the link between human activity and global warming... became settled before March 2007’, it cannot be controversial.

Eh..? Is that just me, or..?

This, I suppose, is one problem of a press that always feels it has to show two sides to every argument. It’s fine when there is no consensus, but when 99% of scientists agree that man-made climate change is a multiply independently-verified reality, that has repeatedly been falsified (a key principle by which scientific ideas are deemed to be valid if it has been determined what would cause the claimed facts to be disproved and that this has not occured), is it really fair to give the other one percent half the air time..?

Tuesday, July 01, 2008

Happy 150th Birthday Natural Selection

It's one hundred and fifty years ago today, the first of July, 2008, that Charles Darwin and Alfred Russel Wallace first presented papers on the idea of natural selection to the Linnean Society in London.

At that time, there was little understanding among those present of how Earth-shattering the theory of natural selection really was. It took the publication of Darwin's seminal On the Origin of Species by Means of Natural Selection, or the Preservation of Favoured Races in the Struggle for Life, commonly (and incorrectly) known as 'The Origin of Species' in 1859 for it to really take off.

Since then, Darwin's original ideas have been modified somewhat; for instance, Darwin couldn't include any discussion of the role of genetics - it wouldn't be discovered until some time afterwards. Nevertheless, the theory underpins our entire understanding of how life on Earth developed and makes it possible to properly understand where we have come from.

Despite the best (which admittedly is normally pretty feeble) that its opponents can throw at it, the theory of evolution remains in robust health. Here's just a few of the evolution-themed stories I've picked up on Digg this year alone:

  • Bacteria evolve; Conservapedia demands recount
  • Fossil fills out water-land leap
  • New Discovery Proves 'Selfish Gene' Exists
  • Jellyfish and human eyes use similar genetic building blocks
  • Origins of the brain: Complex synapses drove brain evolution
  • New Way To Think About Earth's First Cells
  • Fossil reveals oldest live birth
  • Religion is a product of evolution, software suggests
  • The superior eyes of shrimp
  • Scientists discover ''frogamander'' fossil
  • Giant bacterium carries thousands of copies of its genome
  • Genetic blueprint of worlds strangest mammal deciphered
  • Lizards Evolve Rapidly Once Introduced On Different Island!
  • Ancient Snake Had 2 Legs

This stuff is so thrilling, and so awe inspiring, and yet based on such a simple and elegant idea, it's hard to believe that some people find it threatening and refuse to engage with it, yet sadly, they do.

The fact is that the theory stands up every which way you look at it. No significant holes have appeared in it in 150 years. To believe that this is not a theory with legs takes an unwillingness to engage with reality. Sure, the theory might change more as more evidence comes to light, but that's fine. Right here, right now, this is the best explanation we have, and it's a damn convincing one.

Happy birthday Natural Selection - here's to the next 150.

Contentious Theory of the Day: "Bad Singers Make Better Lyricists"

Over on the Guardian website at the moment, there’s a thread asking punters to nominate their favourite lyricists for inclusion in a series of booklets to be given out at some future juncture.

Dylan and Cohen seem to be topping the suggestions thus far.

(As an aside, there is an almost tedious inevitability about this result. It’s not that I’m suggesting it’s wrong, just that it’s been done to death, and if the Grauniad were to put out booklets on great lyricists, it would be lovely if they were a bit more leftfield for once – but then that probably wouldn’t shift more papers, which is the whole reason why they want to do these booklets in the first place...)

Here’s my oh-so contentious theory: less good singers make better lyricists than great singers.

If you can impart feeling through vocal technique – and I don’t mean those who are the vocal equivalent of Steve Vai as evinced by certain diva-types and their technically-difficult, emotionally-bankrupt, chin-wobbling trill-fests – is it more likely that your lyrics will be a bit more mundane?

If you’re less gifted in the technique department, does it spur you to create better words to impart your meaning? To Dylan and Cohen, we could add Waits and Waters, for example. Celebrated for their words, but not necessarily for their vocals, and certainly not for their singing. Could we add Andrew Eldritch and Nick Cave, representing the gothic contingent..? I would say we can. I can’t believe I’ve not mentioned Lou Reed yet! Oh, and Ian Dury.

This is not - obviously not - going to be a hard and fast rule. Not everyone who sings like the aforementioned is going to be a lyrical genius. Being able to sing does not preclude also being lyrical genius (Paul Simon comes immediately to mind), but maybe it makes it more likely.

Of course, none of this contentious theory takes any account of those singers who sing other people’s words, but I would say few bands would pick a non-writing singer who couldn’t.

Maybe the issue is that if you sing like Waits, Dylan and Cohen etc, you’d better have some damn good lyrics to convince people to listen to you.